“The Haunting of Hill House” production designer Patricio Farrell reveals what goes into creating his elaborate sets and how the show’s unforgettable edifice came to life.
Automating clips to a sequence in Premiere Pro allows you to get a large number of clips, images, or audio files down to the timeline very quickly.
A sea of neon, glitz, and kitsch, Las Vegas is one of the world’s most iconic destinations. Score your clip of the skyline, then discover more in our curated collection.
Embracing the show’s neo-noir aesthetic, the “Riverdale” title card evokes a flashing neon sign. It’s a very cool effect, which you can replicate yourself using Premiere Pro and Red Giant Universe.
To celebrate the upcoming launch of our Pond5 + RED footage collection, we’ve teamed up for a contest with an enviable prize: the all-new RED HYDROGEN One Holographic Media Machine.
You can access the new search-by-color feature anywhere you see the Visual Search icon, including the filters panel, the search bar, and by mousing over any search result.
“Widows” once again demonstrates “12 Years a Slave” director Steve McQueen’s uncanny visual eye, something that is guided by his long-running collaboration with cinematographer Sean Bobbitt.
“They Shall Not Grow Old” is a fascinating passion project from the renowned director, who employed modern technology to restore, colorize, and humanize World War I footage in a remarkable new way.
Mocha AE, which has been bundled with After Effects for over 10 years, has received a major overhaul, delivering new features and an improved workflow.
