Editor Yorgos Mavropsaridis is deeply philosophical about his craft. The artistic rigor he brings to filmmaking is something he shares with ‘The Favourite’ director Yorgos Lanthimos.
Immersing us in another place and time is one of the major accomplishments of “Roma.” It also wouldn’t be possible without the film’s wonderful costume design.
Creating a “master” project template will keep all of your FCPX libraries, folders, and media assets in the right places with consistent naming conventions.
Understanding the ins and outs of licensing media can seem challenging, so here’s everything you need to know about selecting the right license for your project.
Spike Lee films have always stood out for their pacing. “Oftentimes, there isn’t a frame of open space,” says Lee’s longtime editor Barry Alexander Brown. He calls it getting rid of “the business.”
Dynamically linking between Premiere and After Effects is the best way to save yourself tons of time when you’re adding VFX to your sequences.
Making a movie about a controversial figure like Dick Cheney is no easy prospect. “It was a very conscious decision that we weren’t going to demonize him visually,” says Fraser.
The beginning of a new year is a great time to plan ahead, and when you’re not out there creating, you can set your compass toward the nearest creative meetup or industry event.