When cinematographer Ben Smithard met with producers about shooting a Downton Abbey film, continuing the popular TV series that ended in 2015, they had one …
Water is one of our most valuable resources, something that’s most apparent than when it’s compromised in cases like the Flint Water Crisis in Michigan. …
If there’s one word that’s been most widely used by audience when discussing Chernobyl, it’s “stressful.” The mini-series excels at turning the screw on the …
In 2019, Netflix’s Ozark earned nine Emmy nominations, including Outstanding Drama Series, thereby elevating it to one of the top shows in an age of …
When we talk about the look of ‘Stranger Things,’ we often focus on its treasure trove of 1980s pop-culture influences, but the show is visually rich beyond its references.
Because the “Far From Home” creative team approached their film as a road-trip movie, reality – as opposed to CGI – was always a starting point for how they built their scenes.
Matt Aeberhard, who shot the jungle sequences in Netflix’s nature series, reveals the art, logistics, and tricks of the trade that guide his work.
With the third season of the acclaimed series arriving on our screens, we spoke with the cinematographer who joined last season about the rules that dictate the look of its world.