NYC-based filmmaker Anne Hollowday’s short film combines insightful audio interviews with archival footage of birds to spotlight issues surrounding the objectification of women.
A great true-crime documentary requires some key components. Producer and director Trey Borzillieri reveals how to make your own doc excel.
For the launch of his newest album, Mike wanted a video that would capture attention while providing a look at his quirky sense of style. He ended up with the Adult Swim-worthy clip for “Escape the Noise.”
The 2011 release of Final Cut Pro X produced the kind of major drama within the editing community that would be right at home in a movie. Now it is.
The key to creating an outstanding wildlife collection is to capture animals unaware of or undisturbed by human presence, explains the veteran filmmaker.
“Bloodlight and Bami” is nothing short of remarkable, revealing the iconic artist at her most vulnerable and alone, as well as her most dynamic and spectacular.
It’s no small logistical feat to bring a historical period like the 1950s to life on screen. “Mrs. Maisel” cinematographers M. David Mullen and Eric Moynier explain how they tackled the task.
With his second collaboration with Wes Anderson hitting theaters, we spoke with Oliver about what stop-motion cinematographers do on set, and the logistical challenges they can face.