A lot goes into pulling off a complicated long shot. Maxwell Orgell and Shawn Kim have extensive experience creating this type of shot from their collaborations with Michel Gondry.
Telling the story of legendary rock band Queen would be impossible without including their appearance at Live Aid in 1985, considered by many to be …
“Moonlight” director Barry Jenkins and DP James Laxton invest a lot in the visual aesthetics of their films. We spoke with Laxton about their approach to “If Beale Street Could Talk.”
“The Haunting of Hill House” production designer Patricio Farrell reveals what goes into creating his elaborate sets and how the show’s unforgettable edifice came to life.
“Widows” once again demonstrates “12 Years a Slave” director Steve McQueen’s uncanny visual eye, something that is guided by his long-running collaboration with cinematographer Sean Bobbitt.
“They Shall Not Grow Old” is a fascinating passion project from the renowned director, who employed modern technology to restore, colorize, and humanize World War I footage in a remarkable new way.
Taylor Brook teaches music history at Columbia and electronic-music composition at Manhattan School of Music, but he always finds the time to create production pieces that resonate with buyers.
Lauren Greenfield’s ‘Generation Wealth’ features several sequences that demonstrate the power of documentary footage infused with deeper meaning.