In 2019, Netflix’s Ozark earned nine Emmy nominations, including Outstanding Drama Series, thereby elevating it to one of the top shows in an age of …
When we talk about the look of ‘Stranger Things,’ we often focus on its treasure trove of 1980s pop-culture influences, but the show is visually rich beyond its references.
Because the “Far From Home” creative team approached their film as a road-trip movie, reality – as opposed to CGI – was always a starting point for how they built their scenes.
Matt Aeberhard, who shot the jungle sequences in Netflix’s nature series, reveals the art, logistics, and tricks of the trade that guide his work.
With the third season of the acclaimed series arriving on our screens, we spoke with the cinematographer who joined last season about the rules that dictate the look of its world.
The world of Westeros owes much of its look to William Simpson, who has used pencil and paper to bring to life everything from Jon Snow discovering his direwolf to the Battle of the Blackwater.
Because of Hader’s fully established conception of the show and his desire for meticulous composition, shooting Barry involves a healthy amount of preparation.
Ben Davis has shot 26 feature films, and has rarely gone a year without having two or three of his movies released. This year, he’s already seen two come out in the same month.