Editor Yorgos Mavropsaridis is deeply philosophical about his craft. The artistic rigor he brings to filmmaking is something he shares with ‘The Favourite’ director Yorgos Lanthimos.
Immersing us in another place and time is one of the major accomplishments of “Roma.” It also wouldn’t be possible without the film’s wonderful costume design.
Spike Lee films have always stood out for their pacing. “Oftentimes, there isn’t a frame of open space,” says Lee’s longtime editor Barry Alexander Brown. He calls it getting rid of “the business.”
Making a movie about a controversial figure like Dick Cheney is no easy prospect. “It was a very conscious decision that we weren’t going to demonize him visually,” says Fraser.
A lot goes into pulling off a complicated long shot. Maxwell Orgell and Shawn Kim have extensive experience creating this type of shot from their collaborations with Michel Gondry.
Telling the story of legendary rock band Queen would be impossible without including their appearance at Live Aid in 1985, considered by many to be …
“Moonlight” director Barry Jenkins and DP James Laxton invest a lot in the visual aesthetics of their films. We spoke with Laxton about their approach to “If Beale Street Could Talk.”
“The Haunting of Hill House” production designer Patricio Farrell reveals what goes into creating his elaborate sets and how the show’s unforgettable edifice came to life.