Cinematographer Brett Jutkiewicz knew he wanted to do something different for Scream VI. Not long after starting the script, he felt inspired by the franchise’s …
Join the award-winning DOP for the inside swoop on shoot stunts, angles, and creative decisions. You’ve probably seen Top Gun Maverick—audiences flocked to the highest-grossing …
On Thursday, April 23, 2020, platinum-selling Canadian pop star Kiesza and Winters Rock Entertainment released a powerful short film entitled Storm written while in isolation. …
When cinematographer Ben Smithard met with producers about shooting a Downton Abbey film, continuing the popular TV series that ended in 2015, they had one …
If there’s one word that’s been most widely used by audience when discussing Chernobyl, it’s “stressful.” The mini-series excels at turning the screw on the …
When we talk about the look of ‘Stranger Things,’ we often focus on its treasure trove of 1980s pop-culture influences, but the show is visually rich beyond its references.
Because the “Far From Home” creative team approached their film as a road-trip movie, reality – as opposed to CGI – was always a starting point for how they built their scenes.
Matt Aeberhard, who shot the jungle sequences in Netflix’s nature series, reveals the art, logistics, and tricks of the trade that guide his work.