Composer Dave Porter has scored high-profile TV projects including ‘Breaking Bad’ and AMC’s ‘Preacher,’ but making the leap to the big screen for ‘The Disaster Artist’ came with a whole new set of challenges.
We caught up with the multitalented artist in New York to talk about his directorial debut, the ghost of Alice Coltrane, After Effects challenges, and, most importantly, obsession.
Academy Award-nominated cinematographers Rodrigo Prieto, Jeff Cronenweth, and Greig Fraser share their pro tips on shooting digital in low light.
The man behind the much-loved opening credits for Marvel’s ‘Deadpool,’ Franck Balson is a Layout and Editorial Supervisor at Blur Studio in LA. We caught up with him to talk about his work and find out exactly what ‘layout’ is.
Dan Laustsen stepped in behind the camera for ‘John Wick: Chapter 2,’ creating another masterclass in fight-scene cinematography. Discover his tips and techniques for crafting a memorable action sequence.
From camera angles, to lighting, to actors’ movements, everything you see onscreen is meant to convey meaning. And nowhere does that meaning come across more than with the music choice during a scene.
A New Year signals a point of endless potential in the big-screen entertainment ahead. With that enthusiasm in mind, we picked 15 films we can’t wait to see in 2017. Check them out and add your own most-anticipated picks!
Film-editing authority Edward Dmytryk lived in a time when editors hand-spliced celluloid, so it makes sense to assess whether his rules are still relevant in an age of 4K video files edited on computers.