“Bloodlight and Bami” is nothing short of remarkable, revealing the iconic artist at her most vulnerable and alone, as well as her most dynamic and spectacular.
Shooting a rain scene requires a lot of planning. If you’re working with real rain, you’ll have to deal with Mother Nature; and If you’re faking it, there’s a whole other set of challenges.
Colorists can be an essential asset in the post-production process, and Tyler Fagerstrom (Sinister, Boyhood, 20th Century Women) has dedicated himself to the craft.
Featuring a rotating panel of industry experts, Westdoc Online is a new video series tackling the myriad subjects documentarians need to explore, from financing, to production, to distribution.
One of the touchstones of Guillermo del Toro’s filmmaking is a vivid use of color. Explore some of the most notable ways the ‘Shape of Water’ director has used color to tell his remarkable stories.
When it comes to genre films, it can be tricky balancing the use of tried-and-true tropes with becoming too derivative of them. Cinematographer Dan Laustsen is a master at finding that balance.
Shooting a feature in a single location may appear logistically simpler, but it can be quite the opposite — especially if you’re trying to squeeze as much tension into your project as you can.
There are few bad movies worse than “The Room,” the inspiration for James Franco’s “The Disaster Artist.” Here are six things Tommy Wiseau’s infamous “disasterpiece” can teach anyone helming their own film.