If there’s one word that’s been most widely used by audience when discussing Chernobyl, it’s “stressful.” The mini-series excels at turning the screw on the …
Because the “Far From Home” creative team approached their film as a road-trip movie, reality – as opposed to CGI – was always a starting point for how they built their scenes.
Matt Aeberhard, who shot the jungle sequences in Netflix’s nature series, reveals the art, logistics, and tricks of the trade that guide his work.
When you’re creating videos for marketing and social media, visual storytelling techniques are more important than ever. Use these filmmaking tips to make your videos stand out.
With his second collaboration with Wes Anderson hitting theaters, we spoke with Oliver about what stop-motion cinematographers do on set, and the logistical challenges they can face.
Shooting a feature in a single location may appear logistically simpler, but it can be quite the opposite — especially if you’re trying to squeeze as much tension into your project as you can.
There are few bad movies worse than “The Room,” the inspiration for James Franco’s “The Disaster Artist.” Here are six things Tommy Wiseau’s infamous “disasterpiece” can teach anyone helming their own film.
Bitbanger Labs co-founders Duncan Frazier and Steve McGuigan share an exclusive behind-the-scenes look at Colorspike, their versatile new LED lighting device for photographers and videographers.