While renting gear is less expensive on a shoot-by-shoot basis, the costs can still add up. These tricks can stretch your budget and make the experience more enjoyable.
“Moonlight” director Barry Jenkins and DP James Laxton invest a lot in the visual aesthetics of their films. We spoke with Laxton about their approach to “If Beale Street Could Talk.”
“The Haunting of Hill House” production designer Patricio Farrell reveals what goes into creating his elaborate sets and how the show’s unforgettable edifice came to life.
“Widows” once again demonstrates “12 Years a Slave” director Steve McQueen’s uncanny visual eye, something that is guided by his long-running collaboration with cinematographer Sean Bobbitt.
if you have truly authentic content with great characters and meaningful stories, there’s little that can stop you on your journey to bringing it to air.
Lauren Greenfield’s ‘Generation Wealth’ features several sequences that demonstrate the power of documentary footage infused with deeper meaning.
When Michael Radner offered Lisa D’Apolito access to boxes of his sister’s home movies, diaries, and audio tapes, it completely changed what the director’s film would become.
Procuring gear rental insurance can be an expensive and time-consuming process. Gear-sharing company Kitsplit is fixing that by offering low-cost, instant rental insurance.