Ben Davis has shot 26 feature films, and has rarely gone a year without having two or three of his movies released. This year, he’s already seen two come out in the same month.
Creating vertical videos is not only important for building your brand and getting more engagement on your social channels, but also a great way to push yourself creatively.
While renting gear is less expensive on a shoot-by-shoot basis, the costs can still add up. These tricks can stretch your budget and make the experience more enjoyable.
“Moonlight” director Barry Jenkins and DP James Laxton invest a lot in the visual aesthetics of their films. We spoke with Laxton about their approach to “If Beale Street Could Talk.”
“The Haunting of Hill House” production designer Patricio Farrell reveals what goes into creating his elaborate sets and how the show’s unforgettable edifice came to life.
“Widows” once again demonstrates “12 Years a Slave” director Steve McQueen’s uncanny visual eye, something that is guided by his long-running collaboration with cinematographer Sean Bobbitt.
if you have truly authentic content with great characters and meaningful stories, there’s little that can stop you on your journey to bringing it to air.
Lauren Greenfield’s ‘Generation Wealth’ features several sequences that demonstrate the power of documentary footage infused with deeper meaning.