If there’s one word that’s been most widely used by audience when discussing Chernobyl, it’s “stressful.” The mini-series excels at turning the screw on the …
When we talk about the look of ‘Stranger Things,’ we often focus on its treasure trove of 1980s pop-culture influences, but the show is visually rich beyond its references.
A lot goes into pulling off a complicated long shot. Maxwell Orgell and Shawn Kim have extensive experience creating this type of shot from their collaborations with Michel Gondry.
“The Haunting of Hill House” production designer Patricio Farrell reveals what goes into creating his elaborate sets and how the show’s unforgettable edifice came to life.
When it comes to genre films, it can be tricky balancing the use of tried-and-true tropes with becoming too derivative of them. Cinematographer Dan Laustsen is a master at finding that balance.
For the best filmmakers, color is a must in any moviemaking toolkit. Cinematographers Paul Cameron and Eduard Grau share their insights on how to approach color in film.