With the third season of the acclaimed series arriving on our screens, we spoke with the cinematographer who joined last season about the rules that dictate the look of its world.
Whether you’re working on a video project, brand campaign, or feature film, making mood boards is a great way to create a visual map that offers directions for the road ahead.
Because of Hader’s fully established conception of the show and his desire for meticulous composition, shooting Barry involves a healthy amount of preparation.
The latest breakout hit for Netflix combines authenticity with fantasy — a mix that’s especially apparent in the distinct look of the show. To incorporate the surreal into the actual world, the primary means became color.
“The Haunting of Hill House” production designer Patricio Farrell reveals what goes into creating his elaborate sets and how the show’s unforgettable edifice came to life.
if you have truly authentic content with great characters and meaningful stories, there’s little that can stop you on your journey to bringing it to air.
A great true-crime documentary requires some key components. Producer and director Trey Borzillieri reveals how to make your own doc excel.
It’s no small logistical feat to bring a historical period like the 1950s to life on screen. “Mrs. Maisel” cinematographers M. David Mullen and Eric Moynier explain how they tackled the task.